Tuesday, August 16, 2011

ONLINE TASK FOR WEEK 8

Recall the potential question on characterization that I mentioned in class.
Yes, the characterization of the role played by Vondie Curtis-Hall (below)

Prince Escalus

UPDATE:
Please attempt this online task individually.
Email me your response.
Upon receipt of your email, I will reply with a sample response to the question below.
Deadline: 10pm, Saturday 10th September.

 
Your task is to evaluate Prince Escalus' character throughout the play
'Romeo and Juliet'.
Based on the events found within the play, answer this question:

(i) In your opinion, to what extent is Prince Escalus an enlightened leader?
Your response, which must be at least 200 words long should consider the way he deals with:
- Lord Capulet and Lord Montague when the play first starts
- The news of Mercutio's death
- The discovery of Paris' death and Romeo and Juliet's suicides

Hint:
  • In order to answer this question satisfactorily, you will have to clearly define the word 'enlightened'.
  • What are some of the qualities you think an 'enlightened' leader would have?


For your reference, a transcript of Prince Escalus' key appearances in the play are as follows:

Act 1

PRINCE
Rebellious subjects, enemies to peace,
Profaners of this neighbour-stained steel,--
Will they not hear? What, ho! you men, you beasts,
That quench the fire of your pernicious rage
With purple fountains issuing from your veins,
On pain of torture, from those bloody hands
Throw your mistemper'd weapons to the ground,
And hear the sentence of your moved prince.
Three civil brawls, bred of an airy word,
By thee, old Capulet, and Montague,
Have thrice disturb'd the quiet of our streets,
And made Verona's ancient citizens
Cast by their grave beseeming ornaments,
To wield old partisans, in hands as old,
Canker'd with peace, to part your canker'd hate:
If ever you disturb our streets again,
Your lives shall pay the forfeit of the peace.
For this time, all the rest depart away:
You Capulet; shall go along with me:
And, Montague, come you this afternoon,
To know our further pleasure in this case,
To old Free-town, our common judgment-place.
Once more, on pain of death, all men depart


Act 3

Enter Prince, attended; MONTAGUE, CAPULET, their Wives, and others

PRINCE
Where are the vile beginners of this fray?

BENVOLIO
O noble prince, I can discover all
The unlucky manage of this fatal brawl:
There lies the man, slain by young Romeo,
That slew thy kinsman, brave Mercutio.

LADY CAPULET
Tybalt, my cousin! O my brother's child!
O prince! O cousin! husband! O, the blood is spilt
O my dear kinsman! Prince, as thou art true,
For blood of ours, shed blood of Montague.
O cousin, cousin!

PRINCE
Benvolio, who began this bloody fray?

BENVOLIO
Tybalt, here slain, whom Romeo's hand did slay;
Romeo that spoke him fair, bade him bethink
How nice the quarrel was, and urged withal
Your high displeasure: all this uttered
With gentle breath, calm look, knees humbly bow'd,
Could not take truce with the unruly spleen
Of Tybalt deaf to peace, but that he tilts
With piercing steel at bold Mercutio's breast,
Who all as hot, turns deadly point to point,
And, with a martial scorn, with one hand beats
Cold death aside, and with the other sends
It back to Tybalt, whose dexterity,
Retorts it: Romeo he cries aloud,
'Hold, friends! friends, part!' and, swifter than
his tongue,
His agile arm beats down their fatal points,
And 'twixt them rushes; underneath whose arm
An envious thrust from Tybalt hit the life
Of stout Mercutio, and then Tybalt fled;
But by and by comes back to Romeo,
Who had but newly entertain'd revenge,
And to 't they go like lightning, for, ere I
Could draw to part them, was stout Tybalt slain.
And, as he fell, did Romeo turn and fly.
This is the truth, or let Benvolio die.

LADY CAPULET
He is a kinsman to the Montague;
Affection makes him false; he speaks not true:
Some twenty of them fought in this black strife,
And all those twenty could but kill one life.
I beg for justice, which thou, prince, must give;
Romeo slew Tybalt, Romeo must not live.

PRINCE
Romeo slew him, he slew Mercutio;
Who now the price of his dear blood doth owe?

MONTAGUE
Not Romeo, prince, he was Mercutio's friend;
His fault concludes but what the law should end,
The life of Tybalt.

PRINCE
And for that offence
Immediately we do exile him hence:
I have an interest in your hate's proceeding,
My blood for your rude brawls doth lie a-bleeding;
But I'll amerce you with so strong a fine
That you shall all repent the loss of mine:
I will be deaf to pleading and excuses;
Nor tears nor prayers shall purchase out abuses:
Therefore use none: let Romeo hence in haste,
Else, when he's found, that hour is his last.
Bear hence this body and attend our will:
Mercy but murders, pardoning those that kill.

Exeunt

Act 5

Enter the PRINCE and Attendants

PRINCE
What misadventure is so early up,
That calls our person from our morning's rest?

Enter CAPULET, LADY CAPULET, and others

CAPULET
What should it be, that they so shriek abroad?

LADY CAPULET
The people in the street cry Romeo,
Some Juliet, and some Paris; and all run,
With open outcry toward our monument.

PRINCE
What fear is this which startles in our ears?

First Watchman
Sovereign, here lies the County Paris slain;
And Romeo dead; and Juliet, dead before,
Warm and new kill'd.

PRINCE
Search, seek, and know how this foul murder comes.

First Watchman
Here is a friar, and slaughter'd Romeo's man;
With instruments upon them, fit to open
These dead men's tombs.

CAPULET
O heavens! O wife, look how our daughter bleeds!
This dagger hath mista'en--for, lo, his house
Is empty on the back of Montague,--
And it mis-sheathed in my daughter's bosom!

LADY CAPULET
O me! this sight of death is as a bell,
That warns my old age to a sepulchre.

Enter MONTAGUE and others

PRINCE
Come, Montague; for thou art early up,
To see thy son and heir more early down.

MONTAGUE
Alas, my liege, my wife is dead to-night;
Grief of my son's exile hath stopp'd her breath:
What further woe conspires against mine age?

PRINCE
Look, and thou shalt see.

MONTAGUE
O thou untaught! what manners is in this?
To press before thy father to a grave?

PRINCE
Seal up the mouth of outrage for a while,
Till we can clear these ambiguities,
And know their spring, their head, their
true descent;
And then will I be general of your woes,
And lead you even to death: meantime forbear,
And let mischance be slave to patience.
Bring forth the parties of suspicion.

FRIAR LAURENCE
I am the greatest, able to do least,
Yet most suspected, as the time and place
Doth make against me of this direful murder;
And here I stand, both to impeach and purge
Myself condemned and myself excused.

PRINCE
Then say at once what thou dost know in this.

FRIAR LAURENCE
I will be brief, for my short date of breath
Is not so long as is a tedious tale.
Romeo, there dead, was husband to that Juliet;
And she, there dead, that Romeo's faithful wife:
I married them; and their stol'n marriage-day
Was Tybalt's dooms-day, whose untimely death
Banish'd the new-made bridegroom from the city,
For whom, and not for Tybalt, Juliet pined.
You, to remove that siege of grief from her,
Betroth'd and would have married her perforce
To County Paris: then comes she to me,
And, with wild looks, bid me devise some mean
To rid her from this second marriage,
Or in my cell there would she kill herself.
Then gave I her, so tutor'd by my art,
A sleeping potion; which so took effect
As I intended, for it wrought on her
The form of death: meantime I writ to Romeo,
That he should hither come as this dire night,
To help to take her from her borrow'd grave,
Being the time the potion's force should cease.
But he which bore my letter, Friar John,
Was stay'd by accident, and yesternight
Return'd my letter back. Then all alone
At the prefixed hour of her waking,
Came I to take her from her kindred's vault;
Meaning to keep her closely at my cell,
Till I conveniently could send to Romeo:
But when I came, some minute ere the time
Of her awaking, here untimely lay
The noble Paris and true Romeo dead.
She wakes; and I entreated her come forth,
And bear this work of heaven with patience:
But then a noise did scare me from the tomb;
And she, too desperate, would not go with me,
But, as it seems, did violence on herself.
All this I know; and to the marriage
Her nurse is privy: and, if aught in this
Miscarried by my fault, let my old life
Be sacrificed, some hour before his time,
Unto the rigour of severest law.

PRINCE
We still have known thee for a holy man.
Where's Romeo's man? what can he say in this?

BALTHASAR
I brought my master news of Juliet's death;
And then in post he came from Mantua
To this same place, to this same monument.
This letter he early bid me give his father,
And threatened me with death, going in the vault,
I departed not and left him there.

PRINCE
Give me the letter; I will look on it.
Where is the county's page, that raised the watch?
Sirrah, what made your master in this place?

PAGE
He came with flowers to strew his lady's grave;
And bid me stand aloof, and so I did:
Anon comes one with light to ope the tomb;
And by and by my master drew on him;
And then I ran away to call the watch.

PRINCE
This letter doth make good the friar's words,
Their course of love, the tidings of her death:
And here he writes that he did buy a poison
Of a poor 'pothecary, and therewithal
Came to this vault to die, and lie with Juliet.
Where be these enemies? Capulet! Montague!
See, what a scourge is laid upon your hate,
That heaven finds means to kill your joys with love.
And I for winking at your discords too
Have lost a brace of kinsmen: all are punish'd.

CAPULET
O brother Montague, give me thy hand:
This is my daughter's jointure, for no more
Can I demand.

MONTAGUE
But I can give thee more:
For I will raise her statue in pure gold;
That while Verona by that name is known,
There shall no figure at such rate be set
As that of true and faithful Juliet.

CAPULET
As rich shall Romeo's by his lady's lie;
Poor sacrifices of our enmity!

PRINCE
A glooming peace this morning with it brings;
The sun, for sorrow, will not show his head:
Go hence, to have more talk of these sad things;
Some shall be pardon'd, and some punished:
For never was a story of more woe
Than this of Juliet and her Romeo.

Exeunt




In your post, please bear in mind the following:
  • Please adhere to proper language and grammar.  
  • Please also note that you should type your comment on MS Word format and proof-read it first before you post. Once a comment is posted to the site, it is there permanently! 
  • At the end of your comment, please include your full name, class and register number.  
  • If you are unable to post directly on the blog, please email to: cchms_romeo_and_juliet@yahoo.com.sg
  • The deadline for your posting is the end of this Lit period.
  • This deadline is non-negotiable.

Monday, August 1, 2011

DIFFERENTIATED TASK 2 (WEEK 6)

In a post of about two hundred words, discuss the portrayal of the relationship between Juliet and The Nurse in either one of the two screen adaptations of Shakespeare's Romeo and Juliet. Focusing on events that unfolds in the scene that takes place in Act 2 Scene 5 of the play, which version do you prefer? In your response, remember to use several specific examples from your favored version which should include a discussion of setting, characterization, mood, theme, or even symbols and how what you saw made for an effective interpretation of the relationship between the two women in Shakespeare's play.

  • Please adhere to proper language and grammar.  
  • Please also note that you should be typing your comment on MS Word format and proof-reading it first before you post. Once a comment is posted to the site, it is there permanently! 
  • At the end of your comment, please include your full name, class and register number.  
  • The deadline for your posting is the end of the classroom session in Week 6. 

The following clips will help you in your task:

Clip 1: BBC production



Clip 2: Luhrmann's version

DIFFERENTIATED TASK 1 (WEEK 6)

In a post of about two hundred words, discuss the portrayal of Mercutio's dying scene in either Franco Zeffirelli or Baz Luhrmann's adaptation of Shakespeare's Romeo and Juliet. Focusing on events that lead up to the scene where Mercutio utters the infamous quote: “A plague on your houses” (3.1.91) in Romeo and Juliet, do you prefer Zeffirelli or Luhrmann’s version? In your response, remember to use several specific examples from your favored version which should include a discussion of setting, characterization, mood, theme, or even symbols and how what you saw made for an effective interpretation of Shakespeare's play.
  • Please adhere to proper language and grammar.  
  • Please also note that you should type your comment on MS Word format and proof-read it first before you post. Once a comment is posted to the site, it is there permanently! 
  • At the end of your comment, please include your full name, class and register number.  
  • The deadline for your posting is the end of the classroom session in Week 6. 

The following clips will help you in your task:

Clip 1: Zeffirelli's version




Clip 2: Luhrmann's version



Tuesday, July 26, 2011

IN-CLASS ANNOTATION (ACT 2 SCENE 5 & 6)

Dear Sec 3s
For the benefit of the classes that have not had the opportunity to view this, please take some time to watch this production of Act 2 Scene 5 of Romeo and Juliet. Take note of the dynamics (body language, mannerisms) between Nurse and Juliet. There may be a follw-up activity to this clip in Term 3 Week 6.

Enjoy!


Tuesday, May 3, 2011

SUGGESTED ANSWERS FOR PRE-MYE PRACTICE PAPER

CAPULETBut Montague is bound as well as I,
In penalty alike; and 'tis not hard, I think,
For men so old as we to keep the peace.

PARISOf honourable reckoning are you both;
And pity 'tis you lived at odds so long.
But now, my lord, what say you to my suit?

CAPULETBut saying o'er what I have said before:
My child is yet a stranger in the world;
She hath not seen the change of fourteen years,
Let two more summers wither in their pride,
Ere we may think her ripe to be a bride.

PARISYounger than she are happy mothers made.

CAPULETAnd too soon marr'd are those so early made.
The earth hath swallow'd all my hopes but she,
She is the hopeful lady of my earth:
But woo her, gentle Paris, get her heart,
My will to her consent is but a part;
An she agree, within her scope of choice
Lies my consent and fair according voice.
This night I hold an old accustom'd feast,
Whereto I have invited many a guest,
Such as I love; and you, among the store,
One more, most welcome, makes my number more.
At my poor house look to behold this night
Earth-treading stars that make dark heaven light:
Such comfort as do lusty young men feel
When well-apparell'd April on the heel
Of limping winter treads, even such delight
Among fresh female buds shall you this night
Inherit at my house; hear all, all see,
And like her most whose merit most shall be:
Which on more view, of many mine being one
May stand in number, though in reckoning none,
Come, go with me.

[To Servant]Go, sirrah, trudge about
Through fair Verona; find those persons out
Whose names are written there, and to them say,
My house and welcome on their pleasure stay.





i) Explain in what way Montague and Capulet are 'bound' and what is it that they both must do? (4 marks)

1m -  Montague and Capulet are bound by Prince Escalus' declaration that they are to maintain the peace in Verona
1m -  by controlling their men and the feud that the two houses are involved in.
1m-   In Act One, it is mentioned that the fued between the Montagues and Capulets have 'thrice disturbed the quiet of (the) streets' in Verona, and the Prince is quite understandably 'moved' (angered) by the blatant disregard for law by the two houses.
1m-  Prince Escalus' threatens Lord Montague and Capulet with his declaration, that 'If ever (they) disturb (the) streets again, (Their) lives shall pay the forfeit of the peace.' As heads of their respective house, Lord Montague and Capulet must keep the peace between their men, or risk being punished (executed).

 ii) What sort of a parent do you think Capulet is? Refer closely to the passage above in support of what you say. (12 marks)

EACH P.E.E.R/L paragraph = 4marks
Point 1
1m-  In this extract, Capulet comes across as a rather concerned father. (Point)
1m-  He staves off Paris' seeming impatience with regard to his proposal to marry Juliet by saying: 'My child is yet a stranger in the world;' (Explanation)
1m-  Capulet explains to Paris that his hesitance in agreeing to Paris' 'suit' or proposition of marriage lies primarily with the fact that Juliet is much too young and therefore, ill-suited to be a mother. He carries on this concerned tone further when he asks that Paris give Juliet 'two more summers wither in their pride' to allow Juliet time to mature. (Elaboration)
1m-  Through his words, we see that Lord Capulet seems to portray the role of a concerned parent, who primary concern is the well-being of his child. Ironically, this is perhaps the only point in the play where Capulet exhibits such behavior as eventually, he turns out to be a rather callous and hard-hearted father. (Reiteration / Link)

Point 2:
He is inherently proud of Juliet.
Quote:
The earth hath swallow'd all my hopes but she,
She is the hopeful lady of my earth:
Point 3:
He portrays himself to be an understanding parent, whose primary concern is Juliet's happiness.
Quote:
My will to her consent is but a part;
An she agree, within her scope of choice
Lies my consent and fair according voice.


iii) Explain clearly what happens immediately after Capulet and Paris leave the servant alone on stage. (4 marks)
1m-  The servant, who is illiterate, goes off to find the guests Lord Capulet has decided to invite to the ' old accustom'd feast', 
1m-  Unable to read, the servant endeavors to find someone who can. In a twist of Fate, he bumps into Romeo and Benvolio. Romeo reads the invitation. 
1m-  Not knowing Romeo's identity, the servant invites Romeo to 'come and crush a cup of wine' at the Capulet's feast. 
1m-  Benvolio persuades Romeo to attend the feast, asking him to go 'with unattainted eye (and) compare her face' with the other beauties at the feast so as to prove '(Romeo's) swan a crow.' This final portion of the extract is pivotal to the meeting of Romeo and Juliet at the Capulet feast.
 


iv) To what extent does this scene impact on the subsequent plot of the play? 
(5 marks)
1m-  Sets up the meeting of Romeo and Juliet at the feast.
1m-  Sets up the tragedy of the play, where a Montague falls in love with a Capulet- a love that culminates in tragedy.
1m-  Prepares us for a subsequent tragedy, knowing that Lord Capulet has made arrangements for Juliet to be courted (and perhaps even eventually be married) to Paris.
1m-  Helps the audience understand the tumult of emotions involved when Juliet is eventually to be married off to Paris, whilst already secretly married to Romeo.
1m-  Also, it reveals to us the dynamics in the relationship between parent and child; that Lord Capulet would make a tacit agreement to Paris' proposal without first consulting Juliet speaks volumes about the amount of control he felt he had over his child
1m- Romeo's 'invitation' to the feast by the Capulet servant also has bearing on the subsequent events in the play. His presence at the feast angers Tybalt who swears revenge. Tybalt's revenge also impacts upon the subsequent tragic events in the play; Mercutio's death. Romeo's eventual banishment from Verona for avenging Mercutio and killing Tybalt etc.